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| Fear Factory | 013-Tilburg | Nov 13, 2001 |
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Unfortunately Raging Speed horn had to cancel because singer Frank is waiting to become a proud papa, and wants to be around when his baby is born. Even though they`re not going to tour, they`re not taking time off! They`re working in high-speed mode to wrap up their new album "We Will All Be Dead Tomorrow" which is scheduled for February release So, with the Speedhorns cancelled I thought it would buy me some time to get to Tilburg. Godflesh was supposed to hit the stage at 19:50 so I entered the hall at that time and of course Godflesh was already half way through their set... Godflesh Devin Townsend Devin started of with “Truth” from the “Infinity”-album and that was one of the very few Devin songs, most of it was Strapping Young Lad. Like the following “All Hail The New Flesh”, “Oh My Fucking God”, “S.Y.L.” and “In The Rainy Season”. After that it was time for some slower songs and we were slapped with “Seventh Wave” (from Ocean Machine), “Earth Day” (from Terria) and “Namaste” (from Physicist). The final bang was SYL’s “Detox”. After some 45 minutes it was over and the smile didn’t get of my face for the rest of that evening. Fear Factory But there were still “Shock”, “Edgecrusher” and “Self Bias Resistor” and the “oldie” Scapegoat. There was even a little surprise in Flashpoint (off the Demanufacture-album). The FF performance was again incredible, a lot of movement on the stage (and in the audience!) and a great interaction with the audience. A role model for a lot of other bands. Only minus stays the melodic part of the vocals. I also noticed that in April of this year in the Tivoli show but although tonight it was much better it still sounds unnatural and forced. I’m curious how long Burton will keep this up. Especially because the grunts are better and better. Perhaps they should take a retro trip on their next album, take us back to 1992?!? But hey, what am I nagging about? Show was great and FF stays one of the best bands in the genre so I had a top evening.
(Review: Jan Geert Koops |
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