An awful lot of speculation went on about the new Marilyn Manson release. However, Manson wouldn’t be Manson if he’d present new material in a totally re-formed shape that people couldn’t identify with. And, therefore without surprise, the new album named The Golden Age Of Grotesque contains no big surprises worth mentioning. The low tuned guitars, coinciding with the heavy bass sounds from newcomer Tim Skold (who replaced Twiggy Ramirez) still offer that solid wall of sound, fitting perfectly to the loud drumming of Ginger Fish. Still, it’s Marilyn’s voice which you either love or hate.

Surprises are, as mentioned before, far to be found on this musical offering.

Although there is a kinda Tool-ish guitar in “Slutgarden” that you wouldn’t expect. Even lyrically, Manson repeats himself once more. Several lines are more or less the same as used on Antichrist Superstar or Holy Wood. Knowing that the song “Doll-Dagga Buzz Buzz Ziggety Zag” is as good as it’s title and “Ka-Boom” certainly isn’t his best written lyric, it has to be said that the young fans have another reason to worship the hero. Just as the average American listener will find another reason to hate the man. But try to understand why, because he’s just making a living. There are several people that present themselves way more interesting, both musically and lyrically.